Georg Flegel
1566-1638 Georg Flegel Location German painter. He was the son of a shoemaker, and not being a Roman Catholic, probably moved to Vienna after 1580, when the Counter-Reformation began to take effect in Olmetz. In Vienna he became the assistant of Lucas van Valckenborch I, whom he subsequently followed to Frankfurt, then an important centre for art dealing and publishing. He filled in staffage in van Valckenborch pictures of the seasons and portraits, inserting fruit, table utensils and flowers as still-life set pieces. His faithful reproduction of flowers and fruit drew on watercolours by Derer, still-life painters from the Netherlands living in Frankfurt, and botanical and zoological illustrations by Joris Hoefnagel, Pieter van der Borcht IV and Carolus Clusius (1525-1609) then being published in Frankfurt.
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Georg Flegel Two Tulips oil painting


Two Tulips
mk141 Oil on canvas 23.2x17.4cm
Painting ID::  38717 		Georg Flegel
Two Tulips
mk141 Oil on canvas 23.2x17.4cm
   
   
     
Georg Flegel Two Tulips oil painting


Two Tulips
mk141 Oil on canvas 23.3x17.4cm
Painting ID::  38718 		Georg Flegel
Two Tulips
mk141 Oil on canvas 23.3x17.4cm
   
   
     
Georg Flegel Two Tulips oil painting


Two Tulips
mk141 Oil on canvas 22.8x16.8cm
Painting ID::  38719 		Georg Flegel
Two Tulips
mk141 Oil on canvas 22.8x16.8cm
   
   
     
Georg Flegel Two Tulips oil painting


Two Tulips
mk141 Oil on canvas 23.1x16.9cm
Painting ID::  38720 		Georg Flegel
Two Tulips
mk141 Oil on canvas 23.1x16.9cm
   
   
     
Georg Flegel Style life table with flowers, Essuaren and Studenglas oil painting


Style life table with flowers, Essuaren and Studenglas
mk186 around 1630 Stuttagart, country gallery
Painting ID::  45445 		Georg Flegel
Style life table with flowers, Essuaren and Studenglas
mk186 around 1630 Stuttagart, country gallery
   
   
     
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     Georg Flegel
     1566-1638 Georg Flegel Location German painter. He was the son of a shoemaker, and not being a Roman Catholic, probably moved to Vienna after 1580, when the Counter-Reformation began to take effect in Olmetz. In Vienna he became the assistant of Lucas van Valckenborch I, whom he subsequently followed to Frankfurt, then an important centre for art dealing and publishing. He filled in staffage in van Valckenborch pictures of the seasons and portraits, inserting fruit, table utensils and flowers as still-life set pieces. His faithful reproduction of flowers and fruit drew on watercolours by Derer, still-life painters from the Netherlands living in Frankfurt, and botanical and zoological illustrations by Joris Hoefnagel, Pieter van der Borcht IV and Carolus Clusius (1525-1609) then being published in Frankfurt.

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